
Later, when Bob and Jill are working with the British government to recover their kidnapped daughter (because the man had told Jill about the imminent assassination just before dying, the terrorist group is using the daughter as a safety-net for their plan), they're essentially told that the life of the British leader is more important than that of their child. "The last time there was a political assassination, this country went to war," they're told, and are essentially left alone to track down their daughter. And to make it clear, it's not that they're not concerned about finding her, but rather it's that Hitchcock doesn't treat it as a matter of great importance. Or, to phrase it differently, he doesn't seem like he's trying to produce a thriller. And yet because he's also not really concerned with making this dramatically compelling, the low-key approach comes across as somewhat inexplicable.
Frankly, it makes for a dull movie. This is not to say that a film needs bombast to be exciting, but it does need some ingenuity and a sense of craft, which this film lacks. While the assassination sequence is nicely staged, there are other scenes, like a clumsy chair fight and the climactic gun battle, that are just plain boring.
The typical response to this is that Hitchcock, in 1934, was inexperienced and still mastering his craft. This is certainly true, and Hitchcock even acknowledges that as an incentive for remaking it in 1956, when he was at the peak of his powers. What I find interesting though is why Hitchcock handles all the movie's big, exciting moments with such nonchalance. Watch the gun battle and the way Hitchcock shoots it with a kind of banality, suggesting he's really not into it. He opts for no music during this scene, which generally indicates a director is after a kind of intense realism. Hitchcock may be looking for realism, but the result is anything but intense. Even Peter Lorre, who plays the main villain, has a cool ease as he engages in the shootout with the police. And when characters are shot, they react much like the man at the beginning, stunned rather than wounded. Either Hitchcock simply had no idea how to create tension, or he was experimenting. I like how quiet and economical the whole thing is, but I'm torn between whether this is just an amateurish production or whether its relaxed state was something intentional.
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